Punk Goes Pop Volume Two by Released March 9, 2009 Recorded Various artists,,,, Length 50: 09 Various chronology (2008) 2008 Punk Goes Pop Volume Two (2009) (2010) 2010 Professional ratings Review scores Source Rating (27%) Punknews.org Punk Goes Pop Volume Two is the eighth in the series created by and the second installment in the franchise to feature bands covering mainstream songs. It was released on March 9, 2009, in the United Kingdom, and March 10, 2009, in the United States. The album debuted at number 15 on the, selling 21,000 copies in its first week. The album's release was originally slated for February. However, due to the inclusion of the cover by, the release date was pushed back a month. Those who pre-ordered the album from certain retailers received a free copy of the original.

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Curiously, the song ' was covered by Nicotine in the first Punk Goes Pop and by in this album. The album was posted on MTV's The Leak on March 3, 2009, where the full album was available for streaming.

Punk Goes Pop Volume Two Punk Goes. 3.8 out of 5 stars 15. Stream Punk Goes Metal by Various artists and tens of millions of other songs on all your devices with. 15 rows  Punk Goes Pop Volume Two is the eighth compilation album in the Punk. Punk Goes Pop Volume 03. Is the tenth compilation album released from the Punk Goes. Series created by Fearless Records and the third installment in the Punk Goes.

Track listing [ ] A list of confirmed songs was released on December 17, 2008, revealing most of the artists that would appear on the compilation. On January 8, 2009, the official track listing was released. # Title Artist Original Artist(s) Length 1. Download aplikasi pdf untuk laptop. ' featuring 2:55 3. ' featuring 3:58 7. ' featuring 4:18 8.

' 3:00 References [ ].

Acoustic songs are the kind of things an emo kid's wet dreams are made of, which probably explains Fearless Records' decision to pump out a second edition of for their Punk Goes Everything series. The kitsch factor dominating the rest of said series is basically gone with all the bands here simply doing unplugged versions of fan's favorite songs, and the record is the predictable result of pop-punkers turning off their amps and adding in the occasional piano and handclap for good measure. Fans of acts like and will be smitten all the way through, though really, some songs work much better than others, stripped down and without the driving chords to cover up oft-nasal vocals. 's 'Bruised' is unsurprisingly a standout, since is heads above his peers anyways, but newcomers bring an unexpectedly solid performance by doing, well, absolutely nothing out of the ordinary. Mixing up the emo-heavy crowd a bit, ' great 'Echoes' stands tall as a punchy little melodic hardcore number that recalls early, while vets can barely contain their anger at the Bush administration over the strummed notes of 'Welcome to 1984.' These songs -- along with a rather whimsical version of 's 'Woe' and a laid-back, barebones number -- are welcome respite from the album's generally consistent nature, not to mention the grating screamo-lite of and a rather boring cut from.

Perfectly inoffensive and agreeable 'punk' ready for late-night make-out sessions between a boy and girl most likely wearing the same sized jeans.